In the aftermath of World War II, Istanbul’s politics, like its geography, stood delicately balanced between East and West. So, too, does Leon Bauer, an American tobacco executive, in Joseph Kanon’s moody postwar thriller “Istanbul Passage”
In the aftermath of World War II, Istanbul’s politics, like its geography, stood delicately balanced between East and West. So, too, does Leon Bauer, an American tobacco executive, in Joseph Kanon’s moody postwar thriller “Istanbul Passage”