Mark Sanderson rounds up the best recent literary crimes and misdemeanours. Presenting reviews of “The Healer” by Antti Tuomainen, Pascal Garnier’s “The A26″, Roger Hobbs “Ghostman”, Belinda Bauer’s “Rubbernecker” and Linwood Barclay’s “Never Saw It Coming.”
Schlagwort-Archive: Belinda Bauer
Porträt: Belinda Bauer
Jane Jakeman meets a novelist with a taste for detachment – and dissection. “I think as a crime-writer you really have to understand fear,” and the creeping apprehension of imminent horrors is a notable feature of many of her characters.
Kurzrezensionen: Benn, Mackay, Hurley, Bauer
Jake Kerridge reviews “Chamber Music” by Tom Benn, “The Necessary Death of Lewis Winter” by Malcolm Mackay, “Western Approaches” by Graham Hurley and “Rubbernecker” by Belinda Bauer.
Rezensionen: Bauer, Conrad, Cookman, Harvey, Kelly, Leonard, Littell u. a.
Here are nine new reviews. This week’s new reviews: Michelle Peckham calls Belinda Bauer’s “Rubbernecker” “a great book”, Karen Meek reviewed Patrick Conrad’s “No Sale tr. Jonathan Lynn”, an unusual book which film buffs should particularly enjoy and others.
Rezensionen: Renne, Bauer, Hannah, Kelly, May
Laura Wilson reviews “The Man from Primrose Lane” by James Renne, “Rubbernecker” by Belinda Bauer, “The Carrier” by Sophie Hannah, “The Burning Air” by Erin Kelly and “The Chessmen” by Peter May.
Artikel: The artists’ artist: Crime writers
Five crime writers nominate their favourite living author in their field: John Harvey on Peter Temple, Sara Paretsky on Liza Cody, Ann Cleeves on Johan Theorin, Karin Fossum on Belinda Bauer and Mark Billingham on Michael Connelly.